Rendell's non-Wexford mysteries tend to be extended portraits of loneliness. in this novel, the narrative is almost minimalist, with action replaced by an intense character study of the lonely central character: an extreme close-up of perspective that is almost oppressive at times - particularly in the first half of the novel. strange and beautifully written but overall rather inherently minor note. if the idea of a thoughtful but depressing chamber piece for two (or three) appeals to you, one set in a lonesome cabin in a country environment and featuring a possibly insane protagonist, then this psychological mystery is for you.